Sinners (2025)
A review of “Sinners” (2025), exploring the connections of music, community, and survival in the face of ancestral trauma.
-
-
The Adjuster (1991)
A review of “The Adjuster” (1991), a disquieting study of intimacy and distance, where fragile lives collide and boundaries quietly dissolve.
-
The Shrouds (2024)
A review of “The Shrouds” (2024) that examines how the film weaves paranoia, eroticism, and doppelgänger imagery into a destabilizing portrait of grief, identity, and the limits of human connection.
-
Vigilante (1982)
A look at “Vigilante” (1982), exploring its revenge-film intensity, New York atmosphere, and ties to some more well-known films.
-
Black Gravel (1961)
A review of “Black Gravel” (1961), discussing its themes of corruption and survival in postwar Germany.
-
Short Night of Glass Dolls (1971)
A review of “Short Night of Glass Dolls” (1971) comparing its slow-burn psychological approach to other films in the genre.
-
Anchoress (1993)
A review of “Anchoress” (1993) exploring its medieval setting, mysticism, authority, and the roles of women and folk knowledge.
-
Sacco & Vanzetti (1971)
A review of “Sacco & Vanzetti” (1971), comparing views about immigration in 1920s America and today.
-
Witness to Murder (1954)
A review of “Witness to Murder” (1954) exploring the theme of dismissing women’s testimonies and considering them unreliable witnesses.
-
Intimate Confessions of a Chinese Courtesan (1972)
A look at “Intimate Confessions of a Chinese Courtesan” (1972), exploring its blend of exploitation, revenge, and emotional depth.
-
Teorema (1968)
A reflection on “Teorema” (1968), exploring its enigmatic visitor, symbolic imagery, and the film’s place within Pasolini’s evolving work.
-
The Final Programme (1973)
A review of “The Final Programme” (1973), calling for its reassessment for the uncompromising vision of its director.
