Ride in the Whirlwind (1966)
A review of “Ride in the Whirlwind” (1966), a lean Western co-produced, written, and co-starring Jack Nicholson.
A review of “Ride in the Whirlwind” (1966), a lean Western co-produced, written, and co-starring Jack Nicholson.
A review of “OSS 117: Panic in Bangkok” (1964), the second title in Kino Lorber’s OSS 117 boxed set. Continuing the Eurospy adventures of Jean Bruce’s literary character that predates Bond.
A review of “Cobra Woman” (1944), with an appreciation for its camp, charm, and South Seas adventure aesthetics.
A review of “The House with Laughing Windows” (1976), and a few words about physical media releases of this title.
A review of “The Unknown” (1927), discussing themes of consent and bodily autonomy in the silent film era.
A review of “Marty Supreme” (2025), and how Josh Safdie can make me care about what happens to terrible people.
A review of “OSS 117 Is Unleashed” (1963) discussing the literary output of Jean and Josette Bruce, and how 117 predates 007.
A review of “Night of the Juggler” (1980) discussing its social commentary regarding class and race.
A review of Lúcio Flávio (1977), examining the historical and political conditions of Brazil surrounding the events depicted in the film, and comparing Flávio to other similar figures who reside in that complicated space of being viewed as criminals by some and revolutionaries by others.
A review of “The Female Animal” (1958), Hedy Lamarr’s curtain call. Including some comments about story writer, Albert Zugsmith.
A review of “The Ceremony” (1971) tracing its political themes of postwar Japan, generational conflicts, and search for identity while placing it in the context of Ōshima’s filmography.
A review of “Death Rage” (1976) that examines its blend of crime, revenge, and genre style while comparing it to the more iconic poliziotteschi of the era.