A review of “The Beguiled” (1971) that explores its function as a psychosexual chamber piece within Siegel’s filmography, examining how its Southern Gothic aesthetics and narrative tensions interrogate power, desire, and confinement.
Review of “The Odyssey” (2026), Christopher Nolan’s adaptation of Homer’s epic, with reflections on its themes and literary origins.
A review of “Ride in the Whirlwind” (1966), a lean Western co-produced, written, and co-starring Jack Nicholson.
A review of “OSS 117: Panic in Bangkok” (1964), the second title in Kino Lorber’s OSS 117 boxed set. Continuing the Eurospy adventures of Jean Bruce’s literary character that predates Bond.
A review of “High Noon” (1952), with an assessment of its place in the Western film genre.
A review of “Cobra Woman” (1944), with an appreciation for its camp, charm, and South Seas adventure aesthetics.
A review of “The House with Laughing Windows” (1976), and a few words about physical media releases of this title.
A review of “Close Encounters of the Third Kind” (1977), contrasting its hopeful view of aliens with Cold War era flying saucer movies.
A review of “The Unknown” (1927), discussing themes of consent and bodily autonomy in the silent film era.
A review of “Marty Supreme” (2025), and how Josh Safdie can make me care about what happens to terrible people.
A review of “OSS 117 Is Unleashed” (1963) discussing the literary output of Jean and Josette Bruce, and how 117 predates 007.
A review of “Night of the Juggler” (1980) discussing its social commentary regarding class and race.